1. In this picture i see what it looks like to be pipes , and i see a little village in the beyond. The clouds look scary like theirs a big storm coming.
2. i see one horizontal line where the horizon of the village meets the sky.
3. 5 words the best describe this photo i think would be Curiosity , eerie, mysterious, threatening, clouded.
4. im not sure what the meaning of this image is but its like the worst is yet to come it looks lie something terrible is about to happen. like a big storm or like a tornado is going to hit the tiny little town yu see .
5. This picture definetly uses the rule of thirds their are these pipes were the money spots are and thats the first thing you look at when yu see the picture it cathches your attention even though its blurry .
Monday, January 31, 2011
Monday, January 10, 2011
answers IMAGE # 7
1. What do you see? Describe what is happening.
2. What Colors, Shapes, and Lines?
3. Use Thesaurus.com to write down 5 expressive words that relate to the image.
4. Interpret the photograph. What is the meaning of this image?
5. IN A FULL SENTENCE, EXPLAIN HOW this image uses one of the Rules of Composition listed below:
Rules of Composition
· The Rule of 3rds
o Horizon Line in upper or lower 3rd
o Imaginary Grid with the Money Spots!
o Odd numbers are more interesting
· Simplicity
o Clean, uncomplicated backgrounds
o Clear focus on point of interest
· Actual and Implied Lines
o Vertical, Horizontal, Diagonal
o Compositional Triangle
Monday, January 3, 2011
Technique essay
Working lines, filling a frame, and creative an active space in your photography i think are very important techniques to learn in photography and heres why .
WORKING THE LINES IN PHOTOGRAPHY :
Lines in a image are very powerful elements that can add dynamic impact in a photo in terms of mood. Theres something about horizontal lines that conveys a message of stability or even rest . Vertical lines have the ability to convey a variety of different moods ranging from power and strength to growth . Diagonal lines generally were well to draw the eye. they create points of interest as they intersect with other lines and gives images depth by suggesting perspective .
FILL YOUR FRAME:
This technique is important when taking pictures of people whose facial features tend to disappear when you move from them . using optical zoom and using your legs even though most cameras zoom it will still help if you actually position yourslef . crop your shots. zoom in manually at home after you've taken your shots .
CREATE ACRIVE SPACE IN PHOTOGRAPHY :
The way your viewer will instinctively view your image helps to create balance, drama and anticipation in your shot . When photographing a moving object the generally acceptable compositional rule is to place the subject in the frame . It said to give the image more balance. This is one of the rules that you're better off breaking .
WORKING THE LINES IN PHOTOGRAPHY :
Lines in a image are very powerful elements that can add dynamic impact in a photo in terms of mood. Theres something about horizontal lines that conveys a message of stability or even rest . Vertical lines have the ability to convey a variety of different moods ranging from power and strength to growth . Diagonal lines generally were well to draw the eye. they create points of interest as they intersect with other lines and gives images depth by suggesting perspective .
FILL YOUR FRAME:
This technique is important when taking pictures of people whose facial features tend to disappear when you move from them . using optical zoom and using your legs even though most cameras zoom it will still help if you actually position yourslef . crop your shots. zoom in manually at home after you've taken your shots .
CREATE ACRIVE SPACE IN PHOTOGRAPHY :
The way your viewer will instinctively view your image helps to create balance, drama and anticipation in your shot . When photographing a moving object the generally acceptable compositional rule is to place the subject in the frame . It said to give the image more balance. This is one of the rules that you're better off breaking .
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